Ana, Female, 18, Journalism student, Portugal. Is a control freak, very shy, and spends most of her time day dreaming. Writing is her passion but has no idea what to do with her life. Is obsessed with Doctor Who, Supernatural, Sherlock and a bunch of other tv shows. Loves all kinds of good music, cookies, long walks but not on the beach, and chocolate milk.

 


“I want to do a movie that would make people want to hang its poster on their wall. Like with Trainspotting before: everyone had that poster in their room, me being the first. It was a way to declare one’s identity. I dream of being in movies that would inspire the same thing.”

“I want to do a movie that would make people want to hang its poster on their wall. Like with Trainspotting before: everyone had that poster in their room, me being the first. It was a way to declare one’s identity. I dream of being in movies that would inspire the same thing.”

(Source: robertpattinson)


Interviewer: Give Me the argument, the best argument you know, for the power of cinema.
Quentin Tarantino: Oh gosh, you know one of the things about cinema that I just find very moving, it’s why it’s my favorite art form, is when you go to a movie and you see a certain sequence, and if there is real cinematic power and there’s cinematic flare. There are certain filmakers that you feel were touched by God to make movies and it would be a combination of editing and sound, usually it’s like visual images connected with music or something, but when those things work and they really connect..it’s just like you forget to breathe. You are really transported to a different place. Music doesn’t quite do that on it’s own, novels don’t quite do it, & a painting doesn’t quite do it. They do it their way but with cinama, especially if you’re in a theatre and you’re sharing the experience with a bunch of other people so it’s this mass thing going on..it’s just truly, truly thrilling.(x)

Interviewer: Give Me the argument, the best argument you know, for the power of cinema.

Quentin Tarantino: Oh gosh, you know one of the things about cinema that I just find very moving, it’s why it’s my favorite art form, is when you go to a movie and you see a certain sequence, and if there is real cinematic power and there’s cinematic flare. There are certain filmakers that you feel were touched by God to make movies and it would be a combination of editing and sound, usually it’s like visual images connected with music or something, but when those things work and they really connect..it’s just like you forget to breathe. You are really transported to a different place. Music doesn’t quite do that on it’s own, novels don’t quite do it, & a painting doesn’t quite do it. They do it their way but with cinama, especially if you’re in a theatre and you’re sharing the experience with a bunch of other people so it’s this mass thing going on..it’s just truly, truly thrilling.(x)

(Source: femburton)

On another note I really wanna see the Avengers.

But I have all my expenses for the month controlled and… movie tickets or lunch?

There’s a lot of gothic in Sherlock. I don’t like to repeat myself too much. I think there are too many vampire franchises. Like a lot of things in my life… it’d be nice if the culture had a bit of time to breathe and not see another revival of the same thing again and again and again.

Benedict Cumberbatch on trying to avoid a proposed role in Dracula

As perfect as he would undoubtedly be, he’s absolutely right. The last thing we need is another Dracula movie. Stay away Ben. 

All worthy work is open to interpretations the author did not intend. Art isn’t your pet — it’s your kid. It grows up and talks back to you.

Joss Wheadon on his openness to fanfiction (via amymacandcheese)

(Source: reddit.com)

BECAUSE ATTACK THE BLOCK IS TECHNICALLY A FILM ABOUT “BIG GORRILA-WOLF-MOTHERFUCKERS” ATTACKING AND SAYS MORE COMPLEX THINGS ABOUT SOCIETY’S RACIAL ISSUES THAN THE HELP.

Film Crit Hulk on “WHY YOU LOVE MOVIES” (via strangeapparition)

[She] had so many movie reference points in her head, as many as the memories of her own life, it seemed, and they became nearly equally weighted, her memories of her actual life and her memories of the movies she had seen. Was there finally that much difference? She sometimes thought that if someone saw all the movies she had seen, the number of times she had seen them and in the order she had seen them, that person might know exactly who she was. That couldn’t really be true, but it was half true, it felt that crucial, as if her identity were a collection of references.

Lightning Field, Dana Spiotta  (via corcordium)

(Source: widespindriftgaze)

The sex drive of men is something we are all comfortable with in this country. It’s funny and hormonal and slapstick (American Pie), it’s potentially uncontrollable, maniacal/homicidal (American Psycho), it is adulterous and is insatiable (American Beauty), it is fun and social (American Graffiti) and it is entrepreneurial (American Gigolo). But women? No. NC-17. XXXX. Stop it with the moaning.

riese (via fuckyeahautostraddle)

Funny (read: fucking infuriating) thing about this: where female pleasure is generally a no-no, female pain is often viewed as less extreme. This skewed perception of female sexuality results in “Blue Valentine” being rated NC-17 because a woman is shown enjoying receiving oral sex, while “The Last House on the Left” and “The Girl with the Dragon Tattoo” come away with R-ratings, despite both having explicit rape scenes. 

So not only does our film culture limit female sexuality, but it limits it to the exact opposite of what anyone would hope sexuality to be: dark, shameful, violent, and only ever remotely pleasurable if orchestrated by a man - but never at the expense of the man’s own pleasure.

In “Blue Valentine”, Ryan Gosling gets Michelle Williams off, after all. We don’t see his character orgasm.

And, evidently, that’s far too threatening to the virility of men everywhere. 

(via michaelfassbendersteeth)

The real love story is between Chris Pine and Tom Hardy. They compare penis size. They walk away from hot ladies to beat the shit out of guys while gazing into each others’ eyes. Pine is told they have work to do. A German with a giant chin steps into the room. “Yes we do”, he says, while trying to conceal his boner. The two men talk about love and commitment – you know what guys actually talk about? Nothing, that’s what. Hardy’s character actually says “I would take a bullet for you, I love you, you know… you know what we have, together… don’t you want that with a woman?” Of course, Pine answers in the negative. Oh, and they go on a date together and Hardy meets Pine’s mother.

Even the inevitable fight between them brims with sexual tension, while any makeout scene with the girl is more awkward and forced than the explanation any guy in the audience will have for their date about where their erection came from. And look at the leads. Witherspoon has the sexual dynamism of a concrete block. Meanwhile, Pine and Hardy are pinup material. Pine gives off a vibe that suggests that he is rather flexible in these matters. And Tom Hardy is… well, every man in the audience of his films is bisexual by definition. I’d give the man an enthusiastic handjob, and I’m not even gay. I think.

I don’t know who the people behind Tumblr Movie Awards are, but I like them.
Go vote!

I don’t know who the people behind Tumblr Movie Awards are, but I like them.

Go vote!